Jean-Baptiste-Joseph Willart de Grécourt (1683–1743) occupies a unique space in 18th-century French literature as a satirical voice blending humor, critique, and artistic elegance. As a clergyman turned poet, Grécourt’s works, such as Contes et poésies diverses and Le Portefeuille du Diable, reflect a sharp wit that dissected societal norms, targeting hypocrisy, greed, and romantic folly. Influenced by Jean de La Fontaine, his style interwove rococo aesthetics with moral undertones, creating narratives both entertaining and thought-provoking.
Grécourt’s satire extended beyond France, influencing Polish libertine and satirical poetry, as explored in O niektórych francuskich źródłach. His use of sociolects and his portrayal of Parisian life, analyzed by Elizabeth Randell, established him as a cultural observer whose linguistic dexterity resonated across social strata. His Oeuvres Choisies, noted in A Survey of Adam Smith’s Theological Sources, even found their way into Adam Smith’s library, signifying his intellectual reach.
A master of humor and critique, Grécourt remains a vital figure in literary history, embodying the intersection of wit, social commentary, and artistic innovation. His legacy lies in his enduring ability to challenge societal conventions while delighting audiences, reflecting the complexities of pre-revolutionary France.